What was Orlando de Lassus famous for?
In addition to his madrigals (Italian choral pieces) and chansons, he published seven collections of lieder (German part-songs). Probably his best known work is his sombre, impressive collection of penitential psalms, Psalmi Davidis Poenitentiales (1584).
What is significant about Orlando di Lasso?
Orlando di Lasso wrote in all the prominent secular forms of the time, including Italian madrigal, French chanson and German lied: he is one of the only Renaissance composers to write prolifically in four languages (Latin, Italian, French and German), and he wrote with equal fluency in each.
Why was Orlando de Lassus kidnapped?
Orlande de Lassus was born in Mons in the County of Hainaut, Habsburg Netherlands (modern-day Belgium). Information about his early years is scanty, although some uncorroborated stories have survived, the most famous of which is that he was kidnapped three times because of the singular beauty of his singing voice.
Where was Orlando de Lassus born?
Mons, BelgiumOrlande de Lassus / Place of birth
What is Franco Flemish style?
The designation Franco-Flemish School, also called Netherlandish School, Burgundian School, Low Countries School, Flemish School, Dutch School, or Northern School, refers, somewhat imprecisely, to the style of polyphonic vocal music composition originating from France and from the Burgundian Netherlands in the 15th and …
What is a madrigal in Renaissance music?
Madrigal is the name of a musical genre for voices that set mostly secular poetry in two epochs: the first occurred during the 14th century; the second in the 16th and early 17th centuries.
What are the characteristics of Franco-Flemish music?
The Franco-Flemish motet Composed between 1450 and 1520, these motets were typically written for four voices, with all voices being equal. They often exhibit thick, dark textures, with an extended low range.
Which two composers belonged to Franco Flemish school?
Led by Josquin des Prez, the succeeding generation was extraordinarily rich in its number of fine composers, including Jakob Obrecht, Heinrich Isaac, Pierre de la Rue, and Loyset Compère, among others.
What is the melody of madrigal?
Written for four singers, his madrigals alternated between two kinds of musical textures: homophonic and polyphonic. Homophonic texture consists of one voice singing melody while the other voices sing supporting sounds called harmony.
What is the meaning of the term Franco-Flemish as it applies to Renaissance music?
What is the meaning of the term “Franco-Flemish” as it applies to Renaissance music? Renaissance music that began in northern France, Holland, and Belgium.
Who are the 2 composers of music of the Renaissance period?
The Top Famous Renaissance Composers
- of 08. William Byrd (1543–1623)
- of 08. Josquin Des Prez (1440–1521)
- of 08. Thomas Tallis (1510–1585)
- of 08. Pierre de La Rue (1460–1518)
- of 08. Claudio Monteverdi (1567–1643)
- of 08. Giovanni Pierluigi da Palestrina (1526–1594)
- of 08. Orlando de Lassus (1530–1594)
- of 08.
How can you describe the madrigal composition?
Unlike the verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung.
What is the texture of madrigal?
A madrigal is a secular vocal genre of music that was very popular during the Renaissance Era (1450 – 1600 CE). The lyrics were based on poetry, and they were usually performed a cappella and in polyphonic texture. Madrigals are often credited with popularizing the musical technique of word painting.
What are characteristics of Franco Flemish music?
Who is the Renaissance composer that composed madrigal that fits into English text *?
Thomas Morley (c1557-1602): This late Renaissance English composer and theorist is known for his light Elizabethan madrigals and his treatise A Plaine and Easie Introduction to Practical Music (1597).
What is the composition of the Renaissance music?
The most important music of the early Renaissance was composed for use by the church—polyphonic (made up of several simultaneous melodies) masses and motets in Latin for important churches and court chapels.